Here’s a prototype for a new project. It’s a 40 x 10 ft., three-projector installation running about 2000 videos. Stay tuned for more documentation as the project develops.

UPDATE: Go here to see the most recent version.

Overall, I was most impressed by the “lower” tech innovations. A few great examples were SOAP and Globe4D.

To put it simply, Globe4D is kind of like a large trackball or an upside-down mouse with an additional optical sensor to measure rotation. Additionally, there is a turntable around the edge that allows users to explore another dimension such as time. The projection comes from overhead and seems to employ pretty simple OpenGL texture mapping onto a sphere. A very nice, responsive physical interface.

Continue reading Notes from Siggraph, 2007 …

Soap is a very simple idea: instead of moving the mouse across a surface, move a surface across the mouse. In fact, it’s simple enough to have a DIY instruction manual (pdf). Also see this.

SEEN is an example of “kameraflage” (seen elsewhere here). This LED display is not visible unless one is looking through a digital camera or cell phone camera. This was also exhibited at 01/ISEA last year in San Jose, California. While interesting it kind of highlighted some some “digital divide” issues. What if people without digital camera technologies want to see the art?

BYU-BYU-View is a Wind Communication Interface. While it was quite large and cumbersome, the idea was nice. Wind sensors and blower fans are located just behind the permeable projection screen and allow the user to “blow” a gusty telematic embrace to the user on the other side.

“bogs” was an interesting interface. Essentially they were long silicon tendrils with pressure sensors in the bulbous ends. When squeezed these bulbous controllers sent signals to a rather absurd sound engine that sounded like lonely whales at sea. While the sounds weren’t as interesting, the tactility of the controllers was alluring.

This Light Field array had a very Star Wars feel to it. Essentially it is a hight speed projector that projects 2D point cloud data onto a high-speed spinning mirror system. The resolution and quality of the images was nice, but the flickering and flashing was a bit of a strain.

“The Orb” is a spinning 3D LED POV display. While it has a low resolution and would probably take your arm off if you get too close, the effect is quite nice.

This 3d Globe projection was appealing, but the brightness seemed to be an issue. One wonders how well it might be seen without its protective tent.

Now onto some multi-touch technologies.

MERL has been working on the Diamond Touch for quite some time. It was good to see this technology in person. Unlike many multi-touch solutions, MERL’s table keeps track of each finger’s owner. It is criticized for the overhead projection though. When asked about this, the salesman put an interesting spin on the “deficiency” by claiming that he actually preferred the projection on his hand because it helped him see exactly where the cursor was. Big fingers (as we know from the iPhone) make bad precision pointers. I’m not convinced, but he had an interesting point.

The Eon Reality Touchlight is a not so much a multi-touch screen as a gesture-based interface. Developed by Andy Wilson at Microsoft Research and licensed to Eon Reality, it uses two cameras to get a sense of the user’s hand position in three dimensions. As an added bonus the display employs the off-the-shelf NEC W610/615 extreme short throw projector. More detailed image can be found here.

The Diorama Table employed overhead vision tracking to create graphics that interacted with various physical objects on the surface. While many other tables have done the same, it employed the same NEC W610/615 projector, which enabled the table to sit very close to the ground.

I was also able to see the Microsoft Surface. It is well-designed and robust physical table, but for 4 cameras, I was largely underwhelmed by the tracking latency. I was most interested in the actual tactile texture of the surface itself. It had a bit more texture that mylar or drafting film, but was actually quite similar. More pictures here.

After all the technology, I found relief in the Automatic Confession Machine : “A Catholic Turing Test”.

André Michelle showed off some of his AS3 audio projects including 5plice, an online audio editing, remixing and sequencing and sharing suite written in AS3 for Flashplayer 9. I was impressed by the small footprint, responsiveness and sound quality produced by the libraries, but was less interested in the concepts behind 5plice. The need for online audio editing is in question for me — and sites like Freesound fulfill my need for hours and hours of free CC audio.

That brings me to GMUNK. GMUNK is a motion graphics superstar. His motion work might best be described as a detailed, vibrant, seizure-inducing spectacle, propelled by an endless series explosions (literally) — as recorded on a shaky handicam. GMUNK’s presentation was as energetic as his work and he struck a nice balance between showing the work itself and revealing some of his simple animation techniques in Maya.

The day of speakers was concluded by a Zen-like presentation from Jared Tarbell (1,2 and 3). Jared has been producing algorithmic art for some time now and more recently began to focus on his commercial work at Etsy. His presentation was essentially a review of fundamental generative techniques (i.e. repetition, recursion, etc) with some lovely examples. Much of the nature-inspired work he showed was circa 2004 and I’m curious to see what he does next. A brief conversation at the afterparty led me to believe he will be integrating some sculptural elements into his work soon.

All in all, the conference was enlightening. I was left convinced that the meeting would have benefited from less code-sharing and more idea generation and open discussion. Perhaps it is an artifact of my current educational pursuits, but I feel that within such a computer-literate group, direct “show me your code” discussions should be minimized. Instead, I feel that it would be more useful to step back, put down one’s tools (Flash, Processing, etc) and make more room for brainstorming, idea generation, concept discussion and talk of the future. The net and technologies are, and will continue to, change and these are the people that can and should be thinking about how those changes will affect us.

Tim Armato: Tim presented a brief introduction to Processing. He encouraged attendees to approach Processing playfully. It was good to see the not-a-flash-killer project represented.

Mario Klingemann: Mario presented an interesting piece of software designed to generatively create unique images by examining and responding to salient image features (i.e. line orientation, grayscale levels, cross-correlation, symmetry, etc.). While interesting, it wasn’t clear why he chose to implement the app and its heavy algorithms (e.g. the Hough Transform) in AS3. To me, the final images he produced made me think of the Neue Sachlichkeit movement (e.g. New Objectivity, particularly the work of Max Beckmann. Of course others might disagree, but his images had an unexpectedly rich texture. Interestingly, he sent the digital paintings off to a company in China where they were painted in oil for him.